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Team DECiBEL | 14 Dec 2021 | 2.28GB

现代的和弦弦乐合成器是由英国键盘手兼工程师 Ken Freeman 于 1970 年发明的,他发现如果将两个音符分层,然后对一个音符进行失谐和轻微调制,就会产生令人愉悦的“合唱”声音。在接下来的 10 多年里,Ken 的最初发现催生了一个行业,该行业制造了 100 多台“弦乐器”和多键盘。

尽管有些人将其视为一招式的小马或穷人的合成器,但弦乐机器具有如此多的特性,它们为不同艺术家的曲目增光添彩; Lonnie Liston Smith、Air、Pink Floyd、The Cure、Parliament、Herbie Hancock、Camel、Joy Division、Jean-Michel Jarre、Thomas Dolby、Tonto’s Expanding Head Band、Genesis、Toni Tone Tony 和无数其他人。

基于我们屡获殊荣的虚拟弦乐机 (VSM),RE-STRINGS 包含来自大量经典模拟弦乐合奏的 67 个独立样本集,包括极其稀有(也是第一个)弗里曼弦乐交响乐团、令人梦寐以求的 Solina、非常受欢迎的 Eminent 310 ,备受赞誉的 Logan String Ensemble,以及其他几款经典(不是那么经典)的弦乐器。

每个样本集跨越 49 个音符(4 个八度),每个音符都单独采样和循环,加上 RE-STRINGS 包含由受人尊敬的音色设计师创建的 700 多个音色库,包括传奇弦乐器用户和键盘大师 Billy Currie。

具有双层功能 – 每层包括一个低通、带通和高通谐振滤波器部分、两个包络发生器、音高或滤波器 LFO、动态控制包括滤波器触后 – 如果您想创建自己迄今为止未实现的经典和令人回味的弦乐混合组合合奏,这是小事一桩。最后,提供全球复古风格的 Ensemble & Phaser 效果,让您将声音磨练成令人回味的复古弦乐合奏完美。

法律声明
本产品中使用的所有产品名称均为其各自所有者的商标,与 GForce Software Ltd. 没有任何关联或附属关系。其他制造商的这些商标仅用于识别其音调和声音被研究和/或录制的制造商的产品在这个产品的开发过程中。

RE-STRINGS 包括来自以下经典乐器的弦乐音色
ARP Quadra (1978)
Crumar Multiman (1975)
艾尔卡狂想曲 (1975)
卓越 310 (1972)
弗里曼弦乐交响乐 (1973)
戈德温 749 型弦乐音乐会 (1980)
霍纳 K4 (1977)
朱诺斯特 21 (c 1986)
Korg Lambda (1979)
Korg PE2000 (1976)
洛根弦乐旋律 II (1977)
Mellotron (1963)
穆格作品 III (1980)
罗兰 VP330 (1979)
索利纳弦乐团 (1974)
工艺 KN200 (1982)
雅马哈 CE-25 (1983)
雅马哈 SS30 (1977)

– 67 个样本集,700 多个补丁库
– 双层功能
– 每一层的综合合成引擎

 

The modern, polyphonic string synthesiser was invented in 1970 by Ken Freeman, a British keyboard player and engineer who discovered that if you layered two notes then detuned and slightly modulated one a pleasant ‘chorused’ sound resulted. Over the next 10+ years Ken’s initial discovery spawned an industry that saw the manufacture of more than one hundred ‘string machines’ and multi-keyboards.

Although viewed by some as a one-trick-pony or a poor man’s polysynth, string machines had so much character they’ve graced tracks by artists as diverse as; Lonnie Liston Smith, Air, Pink Floyd, The Cure, Parliament, Herbie Hancock, Camel, Joy Division, Jean-Michel Jarre, Thomas Dolby, Tonto’s Expanding Head Band, Genesis, Toni Tone Tony and countless others.

Based on our award winning Virtual String Machine (VSM), RE-STRINGS comprises 67 individual sample sets from a plethora of classic analogue string ensembles including the ultra rare (and first) Freeman String Symphonizer, the highly coveted Solina, the eminently desirable Eminent 310, the highly-lauded Logan String Ensemble, plus several other classic (and not so classic) string machines.

Each sample set spans 49 notes (4 octaves), each individually sampled and looped, plus RE-STRINGS contains a 700+ patch library created by respected patch designers including legendary string machine user and keyboard maestro, Billy Currie.

With Dual Layer capabilities – each layer comprising of a Lowpass, Bandpass & Highpass Resonant Filter Section, Two Envelope Generators, Pitch or Filter LFO, Dynamic control including filter aftertouch – if you want to create your own hitherto unrealised hybrid combinations of classic and evocative string ensembles, it’s a cinch. Finally, global vintage style Ensemble & Phaser effects are provided, allowing you to hone your sound to evocative, retro, string ensemble perfection.

Legal Notice
All product names used in this product are trademarks of their respective owners and are in no way associated or affiliated with GForce Software Ltd. These trademarks of other manufacturers are used solely to identify the products of those manufacturers whose tones and sounds were studied and or recorded during development of this product.

RE-STRINGS includes string tones from the following classic instruments
ARP Quadra (1978)
Crumar Multiman (1975)
Elka Rhapsody (1975)
Eminent 310 (1972)
Freeman String Symphonizer (1973)
Godwin Model 749 String Concert (1980)
Hohner K4 (1977)
Junost 21 (c 1986)
Korg Lambda (1979)
Korg PE2000 (1976)
Logan String Melody II (1977)
Mellotron (1963)
Moog Opus III (1980)
Roland VP330 (1979)
Solina String Ensemble (1974)
Technics KN200 (1982)
Yamaha CE-25 (1983)
Yamaha SS30 (1977)

– 67 sample sets, 700+ Patch Library
– Dual layer capability
– Comprehensive Synth Engine for each Layer

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