Cinesamples CineHarps v1.1 KONTAKT
CineHarps是一组深度采样的管弦乐竖琴的集合，这些竖琴易于使用，并且加载了各种技术和功能，这使其成为任何作曲家模板中的经典之作。 CineHarps在洛杉矶的索尼影业（Sony Pictures Studios）的米高梅（MGM）评分阶段以各种各样的视角记录下来，可以很好地适合任何组合。
Cinesamples自豪地展示了完全重新设计的，深度采样的续集-CineHarps。 CineHarps是在洛杉矶索尼影业（Sony Pictures Studios）在具有历史意义的米高梅（MGM）评分阶段录制的，它捕捉了原始CineHarp的易用性和多种技术，同时增加了原始音频保真度和改进的功能，这使其成为任何作曲家模板中的经典之作。
与所有CineSymphony库一样，CineHarps库不需要您购买任何其他示例播放软件，并且已获得许可与Native Instrument的免费Kontakt Player一起使用。您所需要的只是一个音序器，例如Logic，Cubase，Digital Performer，LIVE，Pro Tools，Cakewalk甚至Apple GarageBand，这样您就可以正常运行了。
CineHarps is a collection of deeply sampled orchestral harps that’s easy to use and is loaded with techniques and features that will make this a classic in any composer’s template. Recorded with wide variety of perspectives at the MGM Scoring Stage at Sony Pictures Studios in Los Angeles, CineHarps will fit nicely into any mix.
For the 10th anniversary of our landmark product CineHarps,
Cinesamples is proud to present the completely re-imagined, deeply-sampled sequel – CineHarps. Recorded at the historic MGM Scoring Stage at Sony Pictures Studios in Los Angeles, CineHarps captures the ease of use and varied techniques of the original CineHarp while adding pristine audio fidelity and improved features that will make this a classic in any composer’s template.
Recorded in three distinct positions on the scoring stage, CineHarps includes multiple articulations and timbres – plucked patches, precise glissandi, and incredibly robust effects. Whether a composition calls for classical harp techniques or a hybrid sound design approach, CineHarps offers composers the richest harp sounds available.
As with all CineSymphony libraries, CineHarps library does not require you to purchase any additional sample playback software, and is licensed to work with the Native Instrument’s free Kontakt Player. All you need is a sequencer like Logic, Cubase, Digital Performer, LIVE, Pro Tools, Cakewalk, or even Apple GarageBand and you’ll be up and running.
The Perspective Fader
CineHarps includes the addition of a new Perspective Mode. When Perspective Mode is turned on, a slider appears that performs a smooth crossfade between the Close, Room, and Surround microphone perspectives. This slider is automatically mapped to the mod wheel, giving you the ability to instantly control the relative depth of the instrument.
Gliss Mode transposes all of the white keys according to the selected notes and pedal diagram. This allows for easy playing of glissandi on the white keys. When the Gliss Mode button is active, note attacks in faster phrases are gently softened. The faster you play, the softer the attack.
Tip/Trick: Turning on Gliss Mode and leaving the pedals set to C major allows you to play chromatically, but still softens the onset of each note in faster phrases, which can result in more realistic trills, bisbigliandi and other types of playing.
Close Delay Button
Above the Close microphone perspective is small yellow button marked with a “D”. Activating this button delays the sound of the Close perspective by approximately 15ms, which time aligns the Close with the Room and Surround Perspectives, resulting in a tighter sound. Turning off the Close Delay gives the instrument more depth and definition, which can be useful for featuring it in the mix.
The Velocity Curve control can be used to dial in exactly the dynamic you are looking for. Bias Forte makes it easier to play louder dynamics, and Bias Piano makes it easier to play soft dynamics. Linear allows the velocities to pass through unaffected. The Velocity Curve control can also be used to compensate for a MIDI keyboard with an undesirably hard or soft action. You can custom-draw a velocity curve by clicking and dragging with the mouse.
The Release Mode knob changes the way releases are played. “Muted” simulates the harpist immediately dampening the string at the note release, and “Let Vib.” allows the string to ring out for its full duration ignoring any note releases. “Normale” provides a moderate decay to the release. This control along with the Release Volume control can be used to dial in the exact type of release behavior you are looking for.
Round Robin Borrowing
The RR Borrowing knob employes surrounding notes as additional round robins. A value of 6 results in up to +/- a tritone of borrowing providing up to an additional 12 round robins per note. A value of zero only plays two round robins per dynamic level. Higher values result in more round robins and more tonal variation.
The Dynamic Range knob can increase or decrease the overall dynamic range of the instrument. With the knob turned all the way up, low dynamics are almost completely inaudible and higher dynamics are very loud. With the knob turned all the way down the instrument plays all of the recorded dynamic layers, but at the same perceived volume.
Produced by: Michael Barry and Michael Patti
Project Director: Tim Starnes
Kontakt Scripting: Ben Chrisman
Recording Engineer: Adam Michalak
Mix Engineer: Tim Starnes
Sample Editors: Elan Hickler, Casey Merhige, Elvis Bates
Quality Assurance: Elisa Rice
Requires Kontakt 5.6.8 and above (Works with both the free Kontakt Player and the paid, full version of Kontakt)
请使用 Kontakt 5.6.8 或更高版本打开
Videos & Demos 1：https://youtu.be/eQeGV818Sdk
Videos & Demos 2：https://youtu.be/AdE1UUWGNE4
Videos & Demos 3：https://youtu.be/grw6wwyacUo