经典模拟均衡器仿真的最完整集合
增强：麦克风响应改善，扬声器缺陷校正，声学补偿
DATE : v1.1.2 EQ / NUMBER : R2R-9125 | SiZE : 12.25 MB
PLATFORM : PC/32/64 /VST/VST3/AAX
thEQblue建立在以下信念的基础上：卓越的保真度，增强的工作流程和更少的视觉疲劳是更高质量工具集的标志。我们对硬科学和专注研究的依赖，再加上深入的聆听和客户反馈，为您和您的全球硬核媒体专业人员重新定义了音频工具。
thEQblue借鉴了Algorithmix原始PEQ Blue的创新代码，并将其包装在旨在提高工作效率的现代，更高保真度的环境中。
经典模拟均衡器仿真的最完整集合
十二种不同的均衡器类型：10个串行和2个并行
每种工作最多十二种PEQ风格：经典，复古，现代和非常规
不同的Q特性：经典，恒定Q，比例，理想Q和特殊
模拟均衡器的真正高分辨率仿真，无需建模：不会增加噪声，失真或其他非线性
支持高达384 kHz的采样率，适用于HRA和游戏制作以及后期制作
扩展的中心频率高达80 kHz，用于超声波中的滤波和校正
所有PEQ类型的Bell滤波器均经过归一化处理，以在+6 dB的增益和0.71的Q下看起来完全相同，非常适合在两种类型之间进行快速比较
十二个部分具有5个可自由分配的参数滤波器变体：钟形，低架子，高架子，低切和高切
极低的噪声和低的非线性失真算法导致残留的THD + N大大低于24位量化噪声
可调Q因子，适用于搁架和切角滤镜
多个低切和高切滤波器可以重叠以实现砖墙倾斜
在基带采样率下，类似类滤波器的噪声和失真超采样非常低
80位内部（长双浮点）几乎消除了舍入错误
可调整大小和可缩放的频率响应渲染，可进行精确调整
通过数字字段或直接在图形上进行参数编辑
预设可快速进行设置比较
可以同时打开几个具有不同PEQ架构的实例
所有串行类型的每个部分的立体声/仅左/仅右/单声道/差异模式
频段分组功能使您可以同时更改多个部分的ƒ，Q和增益
六个fMODES量化所有部分的共振ƒ设置，包括Massive Passive和Maselec
键盘按钮可让您通过耳朵来定位频率，然后单击以将其锁定到一个部分
可调键盘，使超声波检查图与材料的调音对齐
ƒ锁定功能，当您找到自己的共振频率并且只想改变Q或增益时
真正的峰值计量功能可提醒您TP超标
排序按钮只需单击一下即可从低到高重新排列节
有了众多选择，您就可以用微妙或显而易见的方法来处理任何工作。
跟踪，混合和掌握
HRA职位，包括超声波剪裁
广播制作和后期
游戏制作
增强：麦克风响应改善，扬声器缺陷校正，声学补偿
声音设计与增强
传输损耗的恢复与校正
Think of thEQred as LP PEQ Red 2.0…we’ve taken the fundamentals of Algorithmix’s exemplary LinearPhase PEQ Red, and given it a MAAT makeover. There is no other æsthetic equalizer like thEQred. With its ability to invisibly provide spectral counterweight to mixes that lean one way or another, thEQred excels at straightening up biased content. Add crystalline air without stridency to a dark mix, or beef up lower mids and bass without bloat or loss of focus. With twelve bands or Sections of precision, linear phase parametric equalization featuring unique shelving filters, mastery of complex mixes without changing their overall sonic character is just a few clicks away.
A little backstory…An idea was born to reissue this masterpiece, along with the other legendary Algorithmix EQs, and make it available as 64 bit in all common formats and (finally!) for macOS. As a power user, our visionary Friedemann had some ideas in mind regarding the improvements. Specifically, he wanted to make the user interface, the UI, more flexible and faster to use because there is no other tool in the mastering chain that receives as much “seat time.” The result: Our thEQ UI and feature set. The UI affords super fast setup and includes a number of unique features which help to speed your work: The positive & negative Contribution function including absolute difference, the highly adjustable sonogram which makes detecting problem spots easy, and the possibility to play a note on the keyboard that you have in your head and then snap a Section to that respective frequency with one click. Also, having all twelve Sections visible simultaneously, not to mention the SORT button function.
