Team DECiBEL | 26 Nov 2021 | 36.54GB
来自全球的仪器
– 史诗般的传统和民族声音收藏
– 65,000 多个样本、369 种乐器、10,000 多个循环和乐句
– 具有仪器特定控件的直观用户界面
World Suite 拥有触手可及的 369 种乐器，传递来自各大洲和民族传统的数千年的音乐文化。探索我们全球遗产的声音，穿越世界上最偏僻的角落，通过数百种可演奏的乐器和数千个真实演奏的循环和乐句来寻找灵感。
World Suite 的范围确实非常庞大，它是我们最大的库之一，其中包含超过 65,000 个样本，代表了多年的规划、记录、编辑、编码和设计实现。愿景很简单，我们想创建一个单一的库，让任何人都可以快速轻松地导航到世界任何地区，浏览本地乐器并开始演奏。前往非洲，感受部落鼓的原始驱动力和 mbira 的催眠共鸣，前往亚洲和印度尼西亚感受精致的古筝、神秘尺八长笛和大脑加美兰，或前往澳大利亚感受迪吉里杜管和古代打击乐器原住民……无论您想去哪里，World Suite 都可以成为您的音乐向导，拥有有史以来最大、最完整的传统乐器合集，以软件形式呈现。
什么是新的
第 2 版增加了 48 种乐器和 2,000 多个循环和乐句，包括新的格鲁吉亚声乐乐句（男声和女声），一个新的独家东方弦乐合奏，其中包含以 12 个打击乐键录制的数十个阿拉伯、土耳其和波斯语多重采样乐句，以及 3 个新的旅行者乐器。
新仪器：
非洲：- 卡林巴
亚洲：- 二胡、古琴
澳大利亚：- 迪吉里杜管
东欧：- Chonguri, Contrabass Panduri, Duduk, Panduri, Salamuri, Weltmeister Accordion
印度：- Dhol, Shahi Baaja
中东地中海：- Electric Saz、Kemence、Kloo Mandolin、Oriental Ensemble、Pku、Qanun、Saz、Tar、土耳其打击乐 (5)
西方：- 阿尔卑斯长号、内阁风琴、Cavaco、扬琴、民谣录音机 (5)、德国手风琴、德国 Psalter、哥德堡风琴、葡萄牙法多吉他、录音机 (5)、三弦古筝、中提琴达甘巴
南美洲：- Bajo Quinto、Charango、Guitarron、键盘录音机、墨西哥 Vihuela、秘鲁长笛、Ronroco、UBass
西印度群岛：- Garrahand、Handpan Ayasa、Handpan Bells (2)、Handpan BPSH、Opsilon、Steel Pan、尤克里里
新的循环和短语：
东欧：- Chonguri，格鲁吉亚男性，格鲁吉亚女性，Panduri，格鲁吉亚旅行者
印度：- Dhol
中东：- 中东弦乐、焦油、土耳其和阿拉伯打击乐，中东 2 旅行者
西方：- Cavaco
南美洲：- Bajo Quinto、墨西哥 Vihuela、Ronroco、南美旅行者
阅读 NFO。您需要由 R2R 发布 Falcon。
INSTRUMENTS FROM AROUND THE GLOBE
– Epic collection of traditional and ethnic sounds
– 65,000+ samples, 369 instruments, 10,000+ loops and phrases
– Intuitive UIs with instrument-specific controls
With 369 instruments at your fingertips World Suite delivers thousands of years of musical culture from every major continent and ethnic tradition. Explore the sounds of our global heritage and traverse the most secluded corners of the world for inspiration with hundreds of playable instruments and thousands of authentically performed loops and phrases.
World Suite’s scope is truly massive, it’s one our largest libraries yet including well over 65,000 samples and representing years of planning, recording, editing, coding and design to realize. The vision was simple, we wanted to create a single library that would allow anyone to quickly and easily navigate to any region of the world, browse local instruments and begin playing. Journey to Africa and feel the primal drive of tribal drums and the hypnotizing resonances of the mbira, to Asia and Indonesia for the delicate strings of the koto, mystical shakuhachi flutes and the cerebral gamelan, or to Australia for the didgeridoo and ancient percussive instruments of the aborigine… Wherever you want to go World Suite can be your musical guide with the largest and most complete collection of traditional instruments ever in software form.
WHAT’S NEW
Version 2 adds 48 instruments and over 2,000 loops and phrases including new Georgian vocal phrases (male and female), a new and exclusive Oriental Strings Ensemble with dozens of Arabic, Turkish and Persian multi-sampled phrases recorded in 12 keys with percussions, and 3 new Traveler instruments.
New instruments:
Africa:- Kalimba
Asia:- Erhu, GuQin
Australia:- Didgeridoo
Eastern Europe:- Chonguri, Contrabass Panduri, Duduk, Panduri, Salamuri, Weltmeister Accordion
India:- Dhol, Shahi Baaja
Middle East Mediterranean:- Electric Saz, Kemence, Kloo Mandolin, Oriental Ensemble, Pku, Qanun, Saz, Tar, Turkish Percussions (5)
Occidental:- Alphorn, Cabinet Organ, Cavaco, Dulcimer, Folk Recorders (5), German Accordion, German Psalter, Gothenburg Organ, Portuguese Fado Guitar, Recorders (5), Triple String Zither, Viola Da Gamba
South America:- Bajo Quinto, Charango, Guitarron, Keyboard Recorder, Mexican Vihuela, Peru Flute, Ronroco, UBass
West Indies:- Garrahand, Handpan Ayasa, Handpan Bells (2), Handpan BPSH, Opsilon, Steel Pan, Ukulele
New Loops and Phrases:
Eastern Europe:- Chonguri, Georgian Male, Georgian Female, Panduri, Georgian Traveler
India:- Dhol
Middle East:- Middle East Strings, Tar, Turkish and Arabic Percussions, Middle Eastern 2 Traveler
Occidental:- Cavaco
South America:- Bajo Quinto, Mexican Vihuela, Ronroco, South-American Traveler
Read the NFO. You need Falcon release by R2R.
