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TeamCubeadooby | 16 June 2023 | 7 MB

MultiDynamics 7 是一款功能强大的多频段动态处理器,可用于母带制作、音轨处理、声音设计和降噪。 MultiDynamics 提供多达 6 个频段,每个频段具有独立的压缩或扩展/选通。

多频带动态处理结合了均衡和动态处理技术,但比静态均衡器或单频带动态处理器更强大。 以下是使用 MultiDynamics 7 的一些可能方法

频率相关的动力学。 多频带动态的一个简单应用是对特定频率范围进行压缩或扩展。 例如,您可能希望在不影响低频(贝司、底鼓)或高频(军鼓、铙钹)的情况下压缩混音中的人声。 这很容易通过创建一个中频频段来覆盖人声范围并将其设置为压缩来实现。

电平相关的 EQ。 您还可以将多频段动态视为提供取决于输入声音电平的 EQ。 例如,您可能想要使高音帽的声音变亮,但只有在轻柔地演奏鼓声时才可以。 这可以通过设置一个高频带来实现,该频带在输入低于阈值时增加增益。 这比使用搁架 EQ 更强大,搁架 EQ 将平等地改变所有级别的音调平衡。

降噪。 MultiDynamics 7 的另一个强大用途是降噪。 这是通过使用多个选通频带来实现的,其中阈值设置为刚好高于环境噪声水平。 MultiDynamics 7 在降噪方面表现出色,不会出现基于 FFT 的降噪器的典型伪影。

回避。 您可以使用 MultiDynamics 7 将音乐隐藏在旁白之后,这样前景对话在与背景音乐混合时仍然清晰可辨。 使用多频段处理器可以让音乐仅在存在对话能量的频率范围内被闪避,从而产生更透明的效果。

强调
•最多6个独立频段
•专有的分频滤波器网络消除了频段间的幅度失真
•6 dB/oct、18 dB/oct 和 30 dB/oct 交叉斜率
•每个频段的全功能压缩器或扩展器/门
•干净和复古的压缩模式
•支持外部侧链输入和侧链EQ滤波器
•可调节的膝盖和向前看
•先行关闭时的零延迟操作
•延迟补偿
•每波段旁路、独奏和静音控制
•全面可视化输入电平和动态 EQ 响应
•学习功能自动设置波段阈值
•实时频谱显示
•输出峰值限制器
•电平表支持 Peak、Peak & RMS、RMS 和 K-system

MultiDynamics 7 中的一些新功能

•全新的深色主题界面。
•现在支持广泛的侧链能力。 每个动态频段都可以由输入信号或外部侧链输入驱动。 您还可以指定宽带或带滤波信号,或者选择由单独的侧链 EQ 滤波的输入或外部信号。 因此,您可以根据来自另一个频段的信号来驱动一个频段。
• 新的学习功能自动将频带阈值设置为检测到的峰值或 RMS 电平。
• 峰值限制器已添加到输出处理中。
•增加了输入电平表和输入增益控制。
• 动态增益和输入电平的用户可选显示范围。
• 带有峰值、峰值和 RMS、RMS 和 K 系统仪表选项的新计量部分。
•具有多种选项的实时频谱显示。

 

MultiDynamics 7 is a powerful multi-band dynamics processor useful for mastering, track processing, sound design, and noise reduction. MultiDynamics provides up to 6 bands with independent compression or expansion/gating per band.

Multiband dynamics processing combines the techniques of equalization and dynamics processing, but is more powerful than a static equalizer or a single band dynamics processor. Below are some of the possible ways to use MultiDynamics 7

Frequency-dependent dynamics. A simple application of multiband dynamics is to apply compression or expansion to a specific frequency range. For example, you may want to compress the vocals in a mix without affecting the low frequencies (bass, kick drum) or high frequencies (snare, cymbals). This is easily done by creating a midrange band to cover the vocal range and setting it to compress.

Level-dependent EQ. You can also think of multiband dynamics as providing EQ which is dependent on the level of the input sound. For example, you might want to brighten the sound of a high hat, but only when the drums are played softly. This can be accomplished by setting up a high frequency band that increases gain when the input is below threshold. This is more powerful than using a shelving EQ which will change the tonal balance at all levels equally.

Noise reduction. Another powerful use of MultiDynamics 7 is noise reduction. This is accomplished using multiple gating bands where the thresholds are set just above the ambient noise level. MultiDynamics 7 excels at de-noising and doesn’t suffer from artifacts typical of FFT-based de-noisers.

Ducking. You can use MultiDynamics 7 to duck music behind narration so the foreground dialog stays intelligible when mixed with the background music. Using a multiband processor allows the music to be ducked only in the frequency ranges where there is dialog energy, which makes for a more transparent effect.

HIGHLIGHTS
•Up to 6 independent bands
•Proprietary crossover filter network eliminates amplitude distortion between bands
•6 dB/oct, 18 dB/oct, and 30 dB/oct crossover slopes
•Full featured compressor or expander/gate per band
•Clean and vintage compression modes
•Supports external sidechain input and sidechain EQ filter
•Adjustable knees and lookahead
•Zero latency operation when lookahead is off
•Latency compensation
•Per band bypass, solo and mute controls
•Comprehensive visualization of input levels and dynamic EQ response
•Learn function to automatically set band thresholds
•Realtime spectrum display
•Output peak limiter
•Level meters support Peak, Peak & RMS, RMS, and K-system

Some of what’s new in MultiDynamics 7

•All new interface with dark theme.
•Now supports extensive sidechain capability. Each dynamics band can be driven from the input signal or an external sidechain input. You can also specify wide-band or band-filtered signal, or select either the input or external signal filtered by a separate sidechain EQ. Hence you can drive one frequency band based on the signal from another frequency band.
•New Learn feature automatically sets band thresholds to detected peak or RMS levels.
•A peak limiter has been added to the output processing.
•Input meters and an input gain control have been added.
•User selectable display ranges for dynamics gain and input levels.
•New metering section with options for peak, peak & RMS, RMS, and K-system meters.
•Realtime spectrum display with many options.

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