KONTAKT – 2,49 GB
一款非常详细且采样精美的 Kontakt 教堂管风琴。
涵盖各种停止和组合，从最微妙的踏板到咆哮的合奏。
《Eternity Church Organ》是从风琴演奏家的角度录制的一架建于1790年的瑞典教堂风琴。
该管风琴于1981年进行现代化改造，并于2015年重新装修和扩建。
录音：24 位 – 96 kHz，抖动至 44.1 kHz。 五个麦克风——三个在乐器前面，两个在教堂中央。 房间氛围被混合到声音中，并且是发行说明的核心。
混响：起初使用了教堂定制的IR，但由于相位问题而被拒绝。 在最终产品中，混响 IR 基于模仿教堂氛围的传统混响单元创建的 IR。
使用混响将听众定位在教堂房间更远的地方。
预设：24。录制了 14 个原始风琴音以及 Marcos Ciscar 策划的 10 个组合。 使用所有三本手册中的音栓进行选择，音符范围为 C2 – A6（每个音栓 58 个音符）。
踏板：记录了五种踏板组合。 以下预设中的键盘声音添加了最低八度音阶：《Fifth evangelist》、《Interstellar 2》、《Midnight Mass》、《Principal 8》和《Tutti》。 这些预设有附录（踏板）。 最低音是C1。
所有样品均已进行噪声净化。 即便如此，某些风琴音栓（例如“Borduna 16”）具有固有的管噪音，这是声音的一部分。 这是完全正常的。
Marcos Ciscar 的声音设计/采样/音频演示。
补丁和停止
停靠站：Blockflöjt 2、Bombarde 16、Borduna 16、Dulcian 16、Gedakt 8、Hålflöjt 4、Principal 8、Principal Linked、Rörflöjt 4、Rörflöjt 8、Spetsflöjt 8、Trechterregal 8、Tutti、Waldflöjt 2
一些音站的名称是瑞典语的，与管风琴本身的名称一模一样。 某些音栓使用颤音（tremolo）。
组合：
– 第五传道者：Kvintadena 8、Principal 4、Sesquialter 2 ch、Scharf 4 ch、Dulcian 16、Trechterregal 8（带颤音）（早期的 Krumhorn 8）
– 星际1：这个组合是秘密的
– Interstellar 2：Principal 16、Principal 8、Spetsflöjt 8、Oktava 4、Rörflöjt 4、Oktava 2、Kvinta 2 2/3（新站，之前的 Cymbel 3 ch）
– 光明与黑暗：Oktava 4、Gedaktflöjt 4、Mixtur 4–5 ch
– 午夜弥撒：Spetsflöjt 8、Rörflöjt 4、Kvinta 2 2/3
– Passionata：这个组合是秘密的
– 灰色玫瑰：Principal 16、Spetsflöjt 8
– 宁静：Salicional 8、Voix celéste 8
– 虔诚的女王：Spetsflöjt 8、Rörflöjt 4
– 风中的面纱：Oktava 4、Gedaktflöjt 4
需要 Kontakt v5.8.1 或更高版本的完整版本！
A highly detailed and exquisitely sampled Church Organ for Kontakt.
Covering various stops and combinations from the most subtle to the roaring tutti with pedals.
Eternity Church Organ was recorded from the organist’s perspective on a Swedish church organ built in 1790.
The organ was modernized in 1981 and newly renovated and expanded in 2015.
The recordings: 24 bit – 96 kHz, dithered to 44,1 kHz. Five microphones – three in front of the instrument and two in the center of the church. The room ambience was mixed into the sound and is central in the release notes.
The reverb: At first, a custom-made IR from the church was used but was rejected due to phase issues. In the final product the reverb IR is based upon an IR created on a traditional reverb unit imitating the church ambience.
Use the reverb to position the listener further out in the church room.
Presets: 24. Fourteen original organ stops were recorded together with ten combinations curated by Marcos Ciscar. The selection was made using stops from all three manuals and the note range is C2 – A6 (58 notes per stop).
Pedals: Five pedal combinations were recorded. The lowest octave was added to the keyboard sound in the following presets: Fifth evangelist, Interstellar 2, Midnight mass, Principal 8 and Tutti. These presets have the addendum (PEDALS). The lowest note is C1.
All samples have been noise-cleaned. Even so, some of the organ stops, such as “Borduna 16” have an inherent pipe noise that is part of the sound. This is completely normal.
Sound design / sampling / audio demos by Marcos Ciscar.
PATCHES AND STOPS
Stops: Blockflöjt 2, Bombarde 16, Borduna 16, Dulcian 16, Gedakt 8, Hålflöjt 4, Principal 8, Principal Linked, Rörflöjt 4, Rörflöjt 8, Spetsflöjt 8, Trechterregal 8, Tutti, Waldflöjt 2
Some of the names of the stops are in Swedish, exactly like on the organ itself. Tremulant (tremolo) is used on some of the stops.
Combinations:
– Fifth evangelist: Kvintadena 8, Principal 4, Sesquialter 2 ch, Scharf 4 ch, Dulcian 16, Trechterregal 8 with tremolo on (earlier Krumhorn 8)
– Interstellar 1: This combination is secret
– Interstellar 2: Principal 16, Principal 8, Spetsflöjt 8, Oktava 4, Rörflöjt 4, Oktava 2, Kvinta 2 2/3 (New stop, earlier Cymbel 3 ch)
– Light and darkness: Oktava 4, Gedaktflöjt 4, Mixtur 4–5 ch
– Midnight mass: Spetsflöjt 8, Rörflöjt 4, Kvinta 2 2/3
– Passionata: This combination is secret
– Roses in grey: Principal 16, Spetsflöjt 8
– Serenity: Salicional 8, Voix celéste 8
– The pious queen: Spetsflöjt 8, Rörflöjt 4
– Veils in the wind: Oktava 4, Gedaktflöjt 4
The FULL version of Kontakt v5.8.1 or above is required!
