AudioZ Exclusive | .ufs | 16 GB
合成器历史上最多产的人物之一是特立独行的工程师和设计师 Tom Oberheim。他的努力可以在数百张专辑、几十年的开创性乐器设计中听到，并通过我们每天认为理所当然的便利体验，包括预设记忆和 MIDI。他的影响力不亚于任何人，他的设计比大多数人都更经得起时间的考验，如今生产的模型在 40 多年来几乎没有变化。他的乐器的声音独特且具有音乐性，通常被描述为“郁郁葱葱”和“庞大”，这是正确的。
创造一套能够体现这一遗产的工具是最大的挑战；太多好东西了。我们从我们最喜欢的合成器列表开始，在追踪它们之后（在某些情况下这不是一件容易的事！）我们花了数百个小时探索它们独特的声音品质并手工制作新的声音供您体验。结果是建立在 49,252 个样本上的 1,468 个预设，所有这些都从实际的硬件乐器中记录下来 – 在现代软件的便利下为您提供这些乐器所提供的最好的东西。
OB Legacy 中的所有声音都是完全可编辑的，并且整齐地包裹在受硬件启发的界面中，让您在调整和演奏时感受合成器的真实感受。包含的预设涵盖了所有类型和风格，包括大量的面包和黄油补丁、复古经典和现代主食。快速浏览类别、试听预设，然后编辑、分层甚至完全转换声音以满足您的需求，所有这些都具有真实模拟电路的真正温暖、特性和勇气。
利用有史以来最通用的模拟架构之一，全模拟语音配备了广泛的数字控制，包括 5 个 LFO、15 个 VCA、5 个 EG 和 CV/Gate 集成，Xpander 的灵活性可与完全模块化的系统相媲美。大量的节目展示了一系列奇妙的声音，从标志性的复古堆栈和野蛮的低音到模拟 FM 音调和超调制氛围。
使用 DCO 升级语音架构为 Matrix-6 和 Matrix-1000 提供了更精致、更一致的声音，而其共振低通滤波器和强大的数字调制系统提供了严格的音域和灵活性。通过加载了基本声音、效果和双琶音器的强大而直观的界面，探索这些 6 声部模拟宝石复杂而温暖的音色。
来自第一波 OB 合成器的大量声音，包括 OB-X、OB-Xa 和 OB-SX。丰满的、分层的模拟贝司、奶油般的主音、天堂般的垫子、丰富的黄铜和不断变化的纹理都在这里，渗出我们可以从这些机器中挤出的尽可能多的复古沙砾。双层架构可让您轻松堆叠、混合和调整音色，以获得前所未有的超厚、经典 80 年代模拟。
两个具有截然不同视角的分支合成器结合在一起，获得了出色的效果，一个是 2016 年的现代模拟 6 声部，另一个是 2000 年的虚拟模拟 12 声部。外置处理器，产生具有熟悉感的声音库，但也产生了属于他们自己的新特征和咬合。
从 1978 年的经典 OB-1 开始，SEM 强大的模拟引擎被推动和调整以创建大量补丁，与独特的复古单音合成器咆哮产生共鸣。通过我们收集的复古和现代模拟效果踏板录制了额外的层次，创建全新的声音，当您想要将模拟混乱提升到扬声器粉碎领域时，可以轻松混合这些声音。
单机架单元合成器在 90 年代并不罕见，但没有一个像 MSR-2 那样有齿。作为一只披着羊皮的狼，我们使用了这个 16 声部、16 声部的多音色模拟睡眠器，并创造了一些极其丰富和复杂的声音。这个合成器比 UV-1 和 UV-XXX 干净一点，它摆脱了高分辨率模拟振荡器的复古根源，具有几乎类似数字的质量。
One of the most prolific figures in synthesizer history is the maverick engineer and designer Tom Oberheim. His efforts can be heard across hundreds of albums, decades of pioneering instrument designs, and experienced through conveniences we take for granted on a daily basis including preset memory and MIDI. His influence is as great as any and his designs have stood the test of time better than most, with models in production today that have changed little in over 40 years. The sound of his instruments is distinct and inherently musical, with a character that’s often described as “lush” and “massive”, and rightly so.
Creating a suite of instruments that does justice to this legacy presented the greatest challenge of all; too much good stuff. We started with a list of our favorite synths, and after tracking them down (not an easy thing in some cases!) we spent hundreds of hours exploring their unique sonic qualities and hand-crafting new sounds for you to experience. The result is 1,468 presets built on 49,252 samples, all recorded from the actual hardware instruments – giving you the very best of what these instruments have to offer in the convenience of modern software.
All sounds in OB Legacy are fully editable and come neatly wrapped in hardware-inspired interfaces, giving you the real feel of the synths as you tweak and perform. Included presets cover the full gamut of types and styles, including plenty of bread and butter patches, vintage classics and modern staples. Quickly browse through categories, audition presets, then edit, layer and even completely transform sounds to suite your needs, all with the genuine warmth, character and grit of real analog circuits.
Taking advantage of one of the most versatile analog architectures ever produced, with all-analog voices outfitted with extensive digital controls including 5 LFOs, 15 VCAs, 5 EGs and CV/Gate integration, the Xpander rivals fully modular systems in its flexibility. Extensive programming revealed a wondrous collection of sounds from emblematic vintage stacks and savage basses to analog FM tones and hyper-modulated atmospheres.
Upgrading the voice architecture with DCO’s gave the Matrix-6 and Matrix-1000 a more refined and more consistent sound while its resonant low-pass filter and robust digital modulation system provided serious sonic range and flexibility. Explore the intricate and warm timbres of these 6-voice analog gems through a robust and intuitive interface loaded with essential sounds, effects and dual arpeggiators.
A massive collection of sounds from the first wave of OB synths, including the OB-X, OB-Xa and OB-SX. Fat, layered analog basses, creamy leads, heavenly pads, rich brass and evolving textures are all here, oozing with as much meaty vintage grit as we could squeeze out of these machines. A dual-layer architecture lets you easily stack, mix and tweak patches for beyond-thick, classic ’80s analog like you’ve never heard it before.
Two offshoot synths made with wildly different perspectives are combined for brilliant results, one a modern analog 6-voice from 2016, the other a virtual analog 12-voice from 2000. Deep sound design was done on both machines while running them through our collection of outboard processors, producing a library of sounds with a sense of familiarity but also a new character and bite that’s all their own.
Starting with a classic OB-1 from 1978, the SEM’s powerful analog engine was pushed and tweaked to create a mass of patches that resonate with a distinctive vintage monosynth growl. Additional layers were recorded through our collection of vintage and modern analog effect pedals creating entirely new sounds that can easily be mixed in when you want to crank the analog mayhem up into speaker-shredding territory.
Single rack-unit synths weren’t rare in the ’90s but none had teeth like the MSR-2. A legitimate wolf in sheep’s clothing, we took this 16-voice, 16-part multitimbral analog sleeper and created some wildly rich and complex sounds. A little cleaner than UV-1 and UV-XXX, this synth sheds it’s vintage roots for high-resolution analog oscillators with an almost digital-like quality.
Experience the sounds of an American legend and add some of the most innovative and powerful analog synths ever designed to your collection.