MORiA | 11月30日2022 | STANDALONE | AUi | VST3i | 515 MB
microKORG合成器/声码器自2002年发布以来，microKORG比音乐史上任何其他硬件合成器都受到了世界各地更多音乐家的喜爱。继第一代microKORG之后，推出了许多变体，包括2009年发布的microKORG XL和带有2+1扬声器的microKORG S，以及许多颜色变体。microKORG诞生的愿望是将合成器的吸引力和乐趣带给初学者和专业音乐家，音轨制作者和各地的创作者。Korg很容易就实现了这个目标，创造了一个非常成功的合成器，它不仅小巧易用，而且听起来非常棒。
振荡器部分具有多种波形。
在振子部分，这是音调的基础，每个声音可以使用两个振子。振荡器1有8个内置波形，包括锯齿波、方波和音频输入，您也可以选择DWGS波形，它有64个内置波形。每个波形可以处理与两个[CONTROL 1/2]旋钮(DWGS是波形选择仅)，甚至更通用的声音创造。振荡器1也有一个示波器，显示实时波形变化。振荡器2只包含锯齿波、方波和三角波的基本波形，还可以执行振荡器到振荡器的调制，如环形调制、交叉调制和硬同步。
过滤部分处理声音，安放部分控制音量。
来自振荡器的声音经过混频器，然后进入滤波器部分。滤波器部分包含四种类型的过滤器，允许从振荡器的声音被处理为所需的。低通滤波器也有一个尖锐的24dB模式。
-通过滤波器后，声音进入放大器部分。在这里，您可以调整整体音量以及平移和键跟踪。失真开关还提供了声音的极端失真。
控制声音时间变化的包络。
一个声音从开始到结束的变化可以极大地改变它的性质。例如，一些声音出现和消失得很快，而另一些声音听到很慢，有一个长时间的回响声。包络发生器用于在声音中产生这种时间变化。microKORG用于Mac/Win”有一个信封用于滤波器和一个信封用于放大器。信封本身是一个易于理解的ADSR 4级类型。信封滑块上也有一个显示，显示信封的形状和顺序，使它更容易理解。
LFO，产生周期性的声音变化。
有两个内置的低频振荡器(LFO)，可以用于颤音，wah，颤音等。LFO 1提供锯齿形、正方形1、三角形和采样与保持(随机)波形，而LFO 2有锯齿形、正方形2、正弦和采样与保持，每种波形各有四种。KEY SYNC开关还可以用来在音符打开、LFO复音操作期间打开/关闭波形重启，等等。当然，LFO循环也可以是节奏同步的。
探索低沉声音创作的虚拟补丁。
制作声音的另一个有趣的方面是调制，合成器的各个部分相互连接以改变它们的行为。像原来的“microKORG”一样，“microKORG for Mac/Win”允许您设置四个调制路由(调制连接)。8个不同的调制源和目的地可以相互连接，并可以设置调制深度。通过连接8个不同的调制源和目的地，您可以沉浸在一个更深入的声音创作的世界。
这个版本有什么新内容吗
官方网站没有提供任何关于这个版本的变化的信息。
系统需求
OSX 10.6.8及以上版本
主页
https://anonymz.com/…://www.korg.com
MORiA | November, 30 2022 | STANDALONE | AUi | VST3i | 515 MB
microKORG Synthesizer / Vocoder Since its release in 2002, the microKORG has been loved by more musicians around the world than any other hardware synth in music history. Following the first generation microKORG, a number of variations were introduced, including the microKORG XL released in 2009 and the microKORG S with 2+1 speakers, as well as many color variations. The microKORG was born out of a desire to bring the appeal and fun of synthesizers to beginner and professional musicians, track makers, and creators everywhere. Korg easily achieved this goal,creating a wildly successful synthesizer that was not only compact andeasy to use but sounded amazing.
Oscillator section with a variety of waveforms.
In the oscillator section, which is the basis of tone, two oscillators can be used per voice. Oscillator 1 has 8 built-in waveforms, including sawtooth wave, square wave, and audio input, and you can also select the DWGS waveform, which has 64 built-in waveforms. Each waveform can be processed with the two[CONTROL 1/2] knobs (DWGS is waveform selection only) for even more versatile sound creation. Oscillator 1 also has an oscilloscope that displays waveform changes in real time. Oscillator 2 contains only the basic waveforms of sawtooth, square, and triangle waves, and can also perform oscillator-to-oscillator modulation such as ring modulation, cross modulation, and hard sync.
Filter section for processing sounds, Amp section that controls the volume.
The sound from the oscillator goes through the mixer and then into the filter section. The filter section incorporates four types of filters, allowing the sound from the oscillator to be processed as desired. The low-pass filter also has a sharp 24dB mode.
– After passing through the filter, the sound enters the amplifier section. Here you can adjust the overall volume as well as panning and key tracking. A distortion switch is also provided for extreme distortion of the sound.
An envelope that controls the temporal variation of sound.
The change from the beginning to the end of a sound can greatly change its character. For example, some sounds appear and disappear quickly, while others are heard slowly and have a long reverberating sound. Envelope generators are used to create such temporal changes in sound. microKORG for Mac/Win” has one envelope for the filter and one for the amplifier. The envelope itself is an easy-to-understand ADSR 4-stage type. There is also a display on the envelope slider that shows the shape and progression of the envelope, making it even easier to understand.
LFO that creates periodic changes in sound.
There are two built-in low frequency oscillators (LFO) that can be used for vibrato, wah, tremolo, etc. LFO 1 offers sawtooth, square 1, triangle, and sample & hold (random) waveforms, while LFO 2 has sawtooth, square 2, sine, and sample & hold available for a total of four waveforms each. The KEY SYNC switch can also be used to turn waveform restart on/off during note on, LFO polyphonic operation, and so on. Of course, the LFO cycle can also be tempo-synchronized.
Virtual patching for exploring deep sound creation.
An additional fun aspect of sound creation is modulation, in which sections of the synthesizer are connected to each other to change their behavior. Like the original “microKORG”, “microKORG for Mac/Win” allows you to set up four modulation routings (modulation connections). 8 different modulation sources and destinations can be connected to each other, and the modulation depth can be set. By connecting 8 different modulation sources and destinations, you can immerse yourself in a world of even deeper sound creation.
Whats new in this version
Official site does not provide any info about changes in this version.
System Requirements
OSX 10.6.8 or later
Homepage
https://anonymz.com/…://www.korg.com
